General News, 2nd prize
Original caption from World Press Photo (2008)
September - October 2007: A wounded child is carried from a house, following the US air strike targeting insurgents in Yaka Chin village, Korengal Valley, Afghanistan. Nearly three-quarters of all bombs dropped by NATO forces in Afghanistan are dropped on and around the Korengal Valley. Yet much of the fighting is on foot, and ground gained is measured in yards, single hilltops, small patches of forest.
As part of a review of our online archive, some images have limited access to protect the privacy of the individuals photographed. This image is only available on request for research purposes. Please request access by emailing our team. Read more about our work on our online archive.
More information
Through a Glass Darkly, by Robert Godden, published on Witness in September 2017
How should vulnerable children be represented in the media? Are we guilty of applying different ethical standards dependent on the race, ethnicity, nationality, location, gender or class of the child? Robert Godden explores these questions and provides guidelines for photojournalists and organizations.
What’s the Point of Conflict Photography?, by Lauren Welsh, published on Witness in January 2020
Why take and distribute images of conflict? Lauren Walsh addresses this question and interviews photographers who have covered conflicting issues.
Tim Hetherington
Vanity Fair
Vanity Fair
16 September, 2007
Korengal Valley, Afghanistan. Brandon Olson, Specialist of Second Platoon, Battle Company of the Second Battalion of the US 503rd Infantry Regiment sinks onto an embankment in the Restrepo bunker at the end of the day. The Korengal Valley was the epicenter of the US fight against militant Islam in Afghanistan and the scene of some of the deadliest combat in the region.
Tim Hetherington
Tim Hetherington (Liverpool, UK, 1970 - Misrata, Libya, 2011) studied literature at Oxford University and after traveling independently in China, India and Pakistan, initially wo...
Through our education programs, the World Press Photo Foundation encourages diverse accounts of the world that present stories with different perspectives.
Our exhibitions showcase stories that make people stop, feel, think and act to a worldwide audience.
Our annual contest recognizes and rewards the best in photojournalism and documentary photography.