Soloist Keith Roberts. To make a souvenir book of portraits for the American Ballet Theatre a wardrobe room at the Metropolitan Opera was converted into a studio. Principal dancers were asked to wear costumes and create characters, while soloists - who rank lower in the ballet hierarchy - wore their own clothes.

Soloist Lucelle Katerndahl. To make a souvenir book of portraits for the American Ballet Theatre a wardrobe room at the Metropolitan Opera was converted into a studio. Principal dancers were asked to wear costumes and create characters, while soloists - who rank lower in the ballet hierarchy - wore their own clothes.

Principal dancer Guillaume Graffin. To make a souvenir book of portraits for the American Ballet Theatre a wardrobe room at the Metropolitan Opera was converted into a studio. Principal dancers were asked to wear costumes and create characters, while soloists - who rank lower in the ballet hierarchy - wore their own clothes.

Soloist Shawn Black. To make a souvenir book of portraits for the American Ballet Theatre a wardrobe room at the Metropolitan Opera was converted into a studio. Principal dancers were asked to wear costumes and create characters, while soloists - who rank lower in the ballet hierarchy - wore their own clothes.

Soloist Robert Wallace. To make a souvenir book of portraits for the American Ballet Theatre a wardrobe room at the Metropolitan Opera was converted into a studio. Principal dancers were asked to wear costumes and create characters, while soloists - who rank lower in the ballet hierarchy - wore their own clothes.

Principal dancer Nina Ananiashuili. To make a souvenir book of portraits for the American Ballet Theatre a wardrobe room at the Metropolitan Opera was converted into a studio. Principal dancers were asked to wear costumes and create characters, while soloists - who rank lower in the ballet hierarchy - wore their own clothes.

Soloist Veronica Lynn. To make a souvenir book of portraits for the American Ballet Theatre a wardrobe room at the Metropolitan Opera was converted into a studio. Principal dancers were asked to wear costumes and create characters, while soloists - who rank lower in the ballet hierarchy - wore their own clothes.

Principal dancer Julie Kent. To make a souvenir book of portraits for the American Ballet Theatre a wardrobe room at the Metropolitan Opera was converted into a studio. Principal dancers were asked to wear costumes and create characters, while soloists - who rank lower in the ballet hierarchy - wore their own clothes.

Principal dancer Paloma Herera. To make a souvenir book of portraits for the American Ballet Theatre a wardrobe room at the Metropolitan Opera was converted into a studio. Principal dancers were asked to wear costumes and create characters, while soloists - who rank lower in the ballet hierarchy - wore their own clothes.

Principal dancers Robert Hill and Julie Kent. To make a souvenir book of portraits for the American Ballet Theatre a wardrobe room at the Metropolitan Opera was converted into a studio. Principal dancers were asked to wear costumes and create characters, while soloists - who rank lower in the ballet hierarchy - wore their own clothes.

Members of the Corps de Ballet create their own mood for their group picture. To make a souvenir book of portraits for the American Ballet Theatre a wardrobe room at the Metropolitan Opera was converted into a studio. Principal dancers were asked to wear costumes and create characters, while soloists - who rank lower in the ballet hierarchy - wore their own clothes.

Soloist Naoya Kojima. To make a souvenir book of portraits for the American Ballet Theatre a wardrobe room at the Metropolitan Opera was converted into a studio. Principal dancers were asked to wear costumes and create characters, while soloists - who rank lower in the ballet hierarchy - wore their own clothes.

Arts and Entertainment,2nd prize