Halima (28), a widowed mother of three, holds a ring that belonged to her late husband, in Kabul, Afghanistan. When police arrested a friend for not wearing a hijab correctly, they also detained and beat Halima after finding evidence of activism on her phone. Her husband had a fatal heart attack on hearing the news. Defiant, Halima continues her activism.
2025 Photo Contest - West, Central, and South Asia - Stories

No Woman’s Land

Photographer

Kiana Hayeri

Fondation Carmignac
18 February, 2024

Halima (28), a widowed mother of three, holds a ring that belonged to her late husband, in Kabul, Afghanistan. When police arrested a friend for not wearing a hijab correctly, they also detained and beat Halima after finding evidence of activism on her phone. Her husband had a fatal heart attack on hearing the news. Defiant, Halima continues her activism.

When the Islamic fundamentalist Taliban returned to power in Afghanistan in 2021, 20 years after a US-British military coalition ousted a previous Taliban government, they initially announced they would be more tolerant than the previous Taliban regime, giving women an active role in Afghan society, "within the framework of Islamic law". Instead, they have slowly eroded women’s rights. 

The Taliban government denies women access to education beyond elementary school, bars them from most work outside the home, and in some regions forbids them from leaving home without a male guardian, or with their face uncovered. The spaces where women once gathered freely – schools, parks, gyms, beauty salons, and offices – are now off limits. Women are allowed to work in healthcare, but as they cannot enter higher education no new female doctors or midwives will qualify. This will mean that, as years go by, women’s access to medical care will become increasingly precarious or intrusive, as in some regions male medical staff are prohibited from treating women unaccompanied by a male member of their family.

The Taliban has increasingly arrested and detained women for violation of their policies. The first two years of their rule saw both direct and indirect political protest (such as intentionally wearing a hijab “incorrectly”). However, organizers of protests were detained and tortured, and an August 2024 law banned women’s voices from being heard in public. Resistance has continued, but organized street protests are now rare. 

Despite these restrictions, women in Afghanistan find subtle but powerful ways to resist. Their defiance unfolds quietly behind closed doors: in homes, secret classrooms, and in private celebrations.

Kiana Hayeri traveled through seven Afghan provinces to make this work, speaking to more than 100 women and girls from all walks of life. She and women’s rights researcher Melissa Cornet (both of whom have previously lived in Afghanistan) used a network of trusted relationships to create the portraits in partnership with the subjects, ensuring their safety and agency. “Even if women were not comfortable showing their faces,” Hayeri explains, “they still have individuality in the photos.”


Are you a photographer and/or passionate about press freedom? Sign up for our newsletter to stay updated on our annual contest and to hear about exhibitions near you.

Kiana Hayeri
About the photographer

Kiana Hayeri (b.1988) grew up in Tehran, Iran, and moved to Toronto, Canada as a teenager. Having taken up photography to bridge cultural and linguistic gaps, her work often explores topics such as migration, adolescence, identity and sexuality in war-torn countries. She is currently based in Sarajevo, covering stories...

Read the full biography
Technical information
Shutter Speed

1/125

Focal length

24.0-70.0mm

F-Stop

f/2.8

ISO

1.6

Camera

Nikon D850

Jury comment

This work offers a vital perspective on women’s lives in Afghanistan, moving beyond familiar narratives to capture their daily realities with depth and care. The photographer’s long-term commitment and close engagement result in an intimate portrayal, where the vibrant colors, textures, and details of their surroundings reflect the richness of each woman and her creativity. This interior vibrancy contrasts sharply with the growing restrictions on their freedoms— affecting education, movement, dress codes, and work. The work is both beautiful and deeply symbolic.