Muska (14) has been promised in marriage to her parent’s landlord’s son in return for a well and solar panels, so that the family can have water and electricity. Jalalabad, Nangarhar, Afghanistan.
2025 Photo Contest - West, Central, and South Asia - Stories

No Woman’s Land

Photographer

Kiana Hayeri

Fondation Carmignac
12 February, 2024

Muska (14) has been promised in marriage to her parent’s landlord’s son in return for a well and solar panels, so that the family can have water and electricity. Jalalabad, Nangarhar, Afghanistan.

In Afghanistan, the Islamic fundamentalist Taliban government denies women access to education beyond elementary school, bars them from most work outside the home, and in some regions forbids them from leaving home without a male guardian, or with their face uncovered. The spaces where women once gathered freely – schools, parks, gyms, beauty salons, and offices – are now off limits.

Despite these restrictions, Afghan women find subtle but powerful ways to resist. Their defiance unfolds quietly behind closed doors: in homes, secret classrooms, and in private celebrations.


Are you a photographer and/or passionate about press freedom? Sign up for our newsletter to stay updated on our annual contest and to hear about exhibitions near you.

Kiana Hayeri
About the photographer

Kiana Hayeri (b.1988) grew up in Tehran, Iran, and moved to Toronto, Canada as a teenager. Having taken up photography to bridge cultural and linguistic gaps, her work often explores topics such as migration, adolescence, identity and sexuality in war-torn countries. She is currently based in Sarajevo, covering stories...

Read the full biography
Technical information
Shutter Speed

1/200

Focal length

24.0-70.0mm

F-Stop

f/2.8

ISO

200

Camera

Nikon D850

Jury comment

This work offers a vital perspective on women’s lives in Afghanistan, moving beyond familiar narratives to capture their daily realities with depth and care. The photographer’s long-term commitment and close engagement result in an intimate portrayal, where the vibrant colors, textures, and details of their surroundings reflect the richness of each woman and her creativity. This interior vibrancy contrasts sharply with the growing restrictions on their freedoms— affecting education, movement, dress codes, and work. The work is both beautiful and deeply symbolic.