People line up to show their IDs at a police checkpoint in Distrito Italia, a dangerous neighborhood in El Salvador where many gang members live, during the first days of the “state of emergency.” Tonacatepeque, San Salvador, El Salvador.
2025 Photo Contest - North and Central America - Long-Term Projects

Life and Death in a Country Without Constitutional Rights

Photographer

Carlos Barrera

El Faro, NPR
04 April, 2022

People line up to show their IDs at a police checkpoint in Distrito Italia, a dangerous neighborhood in El Salvador where many gang members live, during the first days of the “state of emergency.” Tonacatepeque, San Salvador, El Salvador.

Over a few days in March 2022, 92 people – including bus drivers, street vendors, and shoppers – were killed in El Salvador, victims of what appeared to be random gang violence. Shortly after, President Nayib Bukele declared a "state of emergency," suspending rights to freedom of association, assembly, and privacy in communications. Critics of the administration argued that Bukele used gang violence as a pretext to advance authoritarianism and control dissent. However, Bukele justified human rights violations as “acceptable errors" in a "war against gangs.”

The “temporary” measure, designed to curb gang violence and lower El Savador’s high murder rate, has been renewed 35 times as of March 2025, turning El Salvador into a nation where mass incarceration is the norm. Three out of every 100 men are incarcerated in El Salvador, and 1.8% of the total population of the country is behind bars. As a consequence, prisons in El Salvador have become severely overcrowded and reports of inhumane treatment, poor medical care, violence, and murder are common. Human rights organizations estimate that hundreds of people have died in the El Salvadoran prison system since the “state of emergency.”

President Bukele’s policies have decreased crime and murder rates, but have disproportionately targeted the poorest and most vulnerable communities in the country. They have also begun to attract international attention, as countries like the United States have become interested in using El Salvador’s prison capacity to incarcerate its own deportees. This project focuses on the private struggles of individuals and their families, many of whom were never granted due process or found guilty of a crime, but who have become entangled in the larger web of national policy.


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Carlos Barrera
About the photographer

Carlos Barrera is a documentary photographer and photojournalist from San Salvador, El Salvador, whose work focuses on political and social issues in Central America.  Barrera studied communications and began his career in advertising before shifting to photography. He later completed the documentary photograph...

Read the full biography

Jury comment

The jury felt that this project powerfully captures the personal toll of state violence, offering an intimate view into the lives of individuals who have been unfairly arrested and brutalized. The photographer’s creative approach to protecting identities while maintaining visual impact heightens the sense of descending darkness and terror. The story resonates beyond its borders, reflecting the global implications of migration politics as many Salvadorians face the prospect of being deported back to the violence they once fled. The photographer’s work, undertaken at enormous personal risk, brings viewers closer to the human cost of authoritarianism.