Maria Elena Lozano mourns at her son’s coffin. Maria Elena’s son, Marvin Diaz Lozano, became sick in jail, was released after photographs of his mistreatment went viral on social media, and later died due to lack of proper medical treatment while imprisoned. Usulután, El Salvador.
2025 Photo Contest - North and Central America - Long-Term Projects

Life and Death in a Country Without Constitutional Rights

Photographer

Carlos Barrera

El Faro, NPR
29 July, 2024

Maria
Elena
Lozano
mourns
at
her
son’s
coffin.
Maria
Elena’s
son,
Marvin
Diaz
Lozano,
became
sick
in
jail,
was
released
after
photographs
of
his
mistreatment
went
viral
on
social
media,
and
later
died
due
to
lack
of
proper
medical
treatment
while
imprisoned.
Usulután,
El
Salvador.

In 2022, El Salvador’s President Nayib Bukele and its legislative assembly passed a law declaring a “state of emergency” that limited the rights of El Salvadorans to freedom of assembly, privacy of communication, and due process under the law. This temporary measure, designed to curb gang violence responsible for El Savador’s high murder rate, has been renewed 35 times as of March 2025, turning El Salvador into a nation where mass incarceration is the norm. Prisons in El Salvador have become severely overcrowded and reports of inhumane treatment, poor medical care, violence, and murder are common. This project focuses on the stories of individuals and affected families to show the private struggles behind public policy.

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Carlos Barrera
About the photographer

Carlos Barrera is a documentary photographer and photojournalist from San Salvador, El Salvador, whose work focuses on political and social issues in Central America.  Barrera studied communications and began his career in advertising before shifting to photography. He later completed the documentary photograph...

Read the full biography

Jury comment

The jury felt that this project powerfully captures the personal toll of state violence, offering an intimate view into the lives of individuals who have been unfairly arrested and brutalized. The photographer’s creative approach to protecting identities while maintaining visual impact heightens the sense of descending darkness and terror. The story resonates beyond its borders, reflecting the global implications of migration politics as many Salvadorians face the prospect of being deported back to the violence they once fled. The photographer’s work, undertaken at enormous personal risk, brings viewers closer to the human cost of authoritarianism.