Toka Tawhara (19; left) and Puhikura Teka (22; right) arrive home with their newborn, in Ruatāhuna, New Zealand, after walking to the family cemetery nearby. Toka travels to Rotorua to work each day – a two-hour drive each way – as there are very limited job opportunities in Te Urewera.
2025 Photo Contest - Asia-Pacific and Oceania - Long-Term Projects

Te Urewera – The Living Ancestor of Tūhoe People

Photographer

Tatsiana Chypsanava

Pulitzer Center, New Zealand Geographic
07 July, 2024

Toka Tawhara (19; left) and Puhikura Teka (22; right) arrive home with their newborn, in Ruatāhuna, New Zealand, after walking to the family cemetery nearby. Toka travels to Rotorua to work each day – a two-hour drive each way – as there are very limited job opportunities in Te Urewera.

The Ngāi Tūhoe of the Te Urewera region of New Zealand are known as ‘Ngā Tamariki o te Kohu’, the ‘Children of the Mist’. They are said to have been born of the land, people whose ancestors ‘sprung forth’ from the soil and rocks of Te Urewera before time itself. The Tūhoe  have long maintained a staunchly independent spirit. Their isolated homeland in the hill country of the North Island meant they originally had little contact with colonizing British settlers. Even after violent Crown incursions into Te Urewera continued to resist colonization limiting interactions with settlers while fighting to preserve their autonomy.

Tūhoe have never lost their connection to their language and cultural identity. In 2014, the New Zealand government granted Te Urewera – Tūhoe’s ancestral land and a former national park – “legal personhood” – a legal concept granting the land rights akin to a person. This allowed Tūhoe to manage their homeland according to their cultural principles (Te Kawa), emphasizing kinship with nature, and concepts like mauri (life essence).

Recent policy shifts by New Zealand’s right-wing government are seen as undermining Indigenous rights progress. These changes risk marginalizing iwi (Māori tribal communities) in decision-making and excluding their views from reforms. Tensions persist between Western conservation and Indigenous stewardship (kaitiakitanga): iwi assert their right to manage ancestral lands autonomously, while some conservationists prioritize non-human ecosystems, sidelining Indigenous sovereignty. Despite co-governance models like Te Urewera, colonial-era power imbalances remain, particularly in land-use decisions.

Yet, despite these challenges, the Tūhoe's approach represents a significant step toward their playing a central role in environmental stewardship, while preserving culture and community. Like many Tūhoe, John Rangikapua Teepa spent decades living in the city before returning to his ancestral dairy farm in Ruatoki, Te Urewera, with his wife and six children. Embracing the traditional practice of whāngai, they adopted and raised more than 20 children, fostering a sense of community and continuity. United with other family farms, their land forms the Tataiwhetu Trust. Established in the 1980s by six Ngāti Rongo families, the farm had been abandoned for years before it was revitalized and transformed into a leading organic dairy operation, operating under the guiding philosophy “Ka ora te whenua, ka ora te tangata” – “When the land is in good health, so too are the people”.


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Tatsiana Chypsanava
About the photographer

Tatsiana Chypsanava is a documentary photographer based in Aotearoa, New Zealand. Born in Belarus and a descendant of the Komi peoples of the Siberian North West Ural, she is a member of Diversify Photo and Women Photograph, both groups that champion diversity in the industry. Her work focuses on indigenous rights, mig...

Read the full biography
Technical information
Shutter Speed

1/400

ISO

125

Camera

Nikon D850

Jury comment

The jury felt this project stood out as a powerful, detailed look at the Ngāi Tūhoe people's fight for the return of their ancestral lands and indigenous rights. It captures the ongoing governance struggles between Te Urewera's ways of being and Western knowledge, along with tensions from far-right political movements. Through a variety of thoughtful frames, the work provides a compelling visual dialogue about relationships to land and cultural preservation, shedding light on an often underrepresented community.