Photographer Samar Abu Elouf was herself evacuated from Gaza in December 2023. She now lives in the same apartment complex as Mahmoud in Doha, where she has documented the few badly wounded Gazans who, like Mahmoud, have made it out for treatment. Doha, Qatar.
2025 Photo Contest - West, Central, and South Asia - Singles

Mahmoud Ajjour, Aged Nine

Photographer

Samar Abu Elouf

for The New York Times
28 June, 2024

Photographer Samar Abu Elouf was herself evacuated from Gaza in December 2023. She now lives in the same apartment complex as Mahmoud in Doha, where she has documented the few badly wounded Gazans who, like Mahmoud, have made it out for treatment. Doha, Qatar.

Mahmoud Ajjour was severely injured while fleeing an Israeli attack in Gaza City in March 2024. After he turned back to urge his family onward, an explosion severed one of his arms and mutilated the other. The family were evacuated to Qatar where, after medical treatment, Mahmoud is learning to play games on his phone, write, and open doors with his feet. Mahmoud’s dream is simple: he wants to get prosthetics and live his life as any other child. The war in Gaza has taken a disproportionate toll on children. The UN estimates that by December 2024, Gaza had the highest number of child amputees per capita anywhere in the world.


Are you a photographer and/or passionate about press freedom? Sign up for our newsletter to stay updated on our annual contest and to hear about exhibitions near you.

Samar Abu Elouf
About the photographer

Samar Abu Elouf is a self-taught photojournalist from Gaza. Since 2010, she has been documenting daily life, news, and the profound effects of conflict on her country. Abu Elouf has worked with numerous international organizations including The New York Times, Reuters, NZZ, and Middle East Eye. World Press Phot...

Read the full biography
Technical information
Shutter Speed

1/160

Focal length

50mm

F-Stop

F1.8

ISO

100

Camera

Canon EOS R5

Jury comment

The photograph of this Palestinian boy speaks to the long-term costs of war, the silences that perpetuate violence, and the role of journalism in exposing these realities. Without shying away from the corporeal impacts of war, the photo approaches conflict and statelessness from a human angle, shedding light on the physical and psychological traumas civilians have been forced to, and will continue to endure through industrial scale killing and warfare. The Jury found this portrait, with its strong composition and attention to light, to be contemplative, sparking questions about the experiences yet to come for the young wounded boy, about the dehumanization of a region, and about the relentless targeting of journalists in Gaza alongside the continued denial of access to international reporters seeking to expose the realities of this war.