The potato harvest from Aliona’s parents’ dacha (country cottage) vegetable garden in Tomsk, Russia, could feed the couple and their neighbors for a whole year. They tend the garden with great care: the watering, weeding, harvesting each summer almost amounts to a second job. 
2025 Photo Contest - Europe - Long-Term Projects

It Smells of Smoke at Home

Photographer

Aliona Kardash

DOCKS Collective, for Stern Magazine

The potato harvest from Aliona’s parents’ dacha (country cottage) vegetable garden in Tomsk, Russia, could feed the couple and their neighbors for a whole year. They tend the garden with great care: the watering, weeding, harvesting each summer almost amounts to a second job. 

Russia’s de facto ban on critical media outlets, its blocking of social media, and suppression of anti-war protests has created an alternative reality for its citizens: one with its own take, where the full-scale invasion of Ukraine was only a “special military operation” (as the Russian government initially insisted). In this story Aliona Kardash, Siberian-born, but now resident in Germany, reflects on the loss of home, and on love for people who believe in a different version of reality.

A week into Russia’s invasion of Ukraine in 2022, President Putin introduced censorship laws making criticism of the invasion a grave offense. Even using the term “war” instead of a “special military operation” was considered a crime. These laws have since been strengthened. People who peacefully protest the war are charged with “violence against police,” “incitement of hatred,” and even “treason”. Privately owned independent TV channels are banned from the air; many western media outlets are no longer accessible; and the media regulator, Roskomnadzor, censors independent news websites or can declare them “undesirable organizations” (which means that mentioning them or quoting them can lead to criminal proceedings). The remaining media are owned by the state or by Kremlin allies. The EU has accused Russia of “a systematic, international campaign of disinformation, information manipulation, and distortion of facts in order to enhance its strategy”.

Faced – like many Russians living abroad – with a distortion of information that seemed to leave her family back home in a parallel universe, Aliona decided to keep a visual diary of what was happening. She asks: Who do you become when your own family suddenly feels like strangers? How do you find a common language when there are no words left? Making a return visit to her hometown of Tomsk, in Siberia, Aliona tries to capture how war transforms us, and to sustain the belief that personal bonds are stronger than the forces that tear us apart.

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Aliona Kardash
About the photographer

Aliona Kardash (b. 1990) is a documentary photographer from Siberia based in Hamburg, Germany.  Kardash graduated in journalism at the Tomsk State University in Russia, and in photography in the International Class of the University of Applied Sciences and Arts Hannover and the University of Applied Sciences an...

Read the full biography
Technical information
Shutter Speed

1/250

ISO

100

Camera

Z 6_2

Jury comment

The jury found this long-term project to be a deeply personal insight into the fractures within Russian society since the full-scale invasion of Ukraine, revealing complexities often overlooked when viewing Russia as a monolith. The photographer visually conveys her melancholy regarding her connection to her family as they are influenced by state propaganda, grappling with the universal dilemma of how to hold to loved ones subsumed by state control. As conflict increasingly draws journalists into their own stories, this project reflects the nuance of their narratives, capturing a personal experience with global resonance.