Bengali Muslim villagers, accustomed to the yearly floods, are ferried by community boats to the mainland from tiny chars, sandbar islands formed by silt deposits on the Brahmaputra. Living and farming on chars, these villagers face social, political, and economic marginalization. As monsoon clouds loom in the distance, they seek refuge under plastic sheets, embodying resilience amid their struggle for identity and livelihoods along the Brahmaputra River. Uttar Lakhipur, Sontoli, Kamrup/Barpeta District, Lower Assam, India.
2024 Photo Contest, Asia, Honorable Mention

The Edge

Photographer

Zishaan A Latif

18 June, 2023

Bengali Muslim villagers, accustomed to the yearly floods, are ferried by community boats to the mainland from tiny chars, sandbar islands formed by silt deposits on the Brahmaputra. Living and farming on chars, these villagers face social, political, and economic marginalization. As monsoon clouds loom in the distance, they seek refuge under plastic sheets, embodying resilience amid their struggle for identity and livelihoods along the Brahmaputra River. Uttar Lakhipur, Sontoli, Kamrup/Barpeta District, Lower Assam, India.

When Bangladesh declared independence in 1971, many Bengali Hindus and Muslims chose to migrate to the predominantly Hindu state of Assam, in northeastern India, to avoid future persecution in the uncertain and traumatic birth of Bangladesh, fuelling tensions at the border. Even Muslims who migrated prior to partition were labeled as "Bangladeshis," considered back then a derogatory term. 

The National Register of Citizens (NRC), first compiled in 1951, is a list of all Indian citizens aimed at ostensibly addressing the influx of illegal migrants. However, the final draft published in 2019 excluded 19,06,657 individuals. Four years later, millions in Assam still live in a state of legal limbo, without official recognition by the state. Right-wing political parties in Assam have historically targeted the Bengali Muslim community to secure Hindu votes.

Compounding the plight of the Bengali Muslim community is Assam's unique topography and climate. The Brahmaputra River, revered yet destructive, causes cycles of flooding and erosion that have been exacerbated in recent years by climate change. The increasingly unpredictable and devastating natural cycles of the river make it difficult for Bengali Muslims to establish ties to villages and agricultural fields that have vanished under rising waters and eroded lands. This phenomenon provides the border police with political justifications to label community members as either “doubtful voters,” or perpetually displaced “climate refugees” who may be able to provide documentation but lack land. 

This project documents the Miya community’s struggle for identity and belonging exacerbated by ecological challenges. It underscores the double jeopardy confronting many Bengali Muslims in Assam who are caught between nature and state in a cycle of displacement and uncertainty, navigating a landscape shaped by historical, political, and environmental forces.

Project supported by the Shyama Foundation Shared Ecologies Photo Grant 2022-23.


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Zishaan A Latif
About the photographer

Zishaan A Latif (b. 1984) is a photographer and visual artist based in Noida, India. Through working with different textures, mediums and forms, Zishaan challenges the preconceived notions and expectations of visual imagery. His work has been featured in both commercial and non-commercial collections, exhibitions, a...

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Technical information
Shutter Speed

1/125

ISO

320

Camera

GFX50S II

Jury comment

The jury awards an honorable mention to this project for its poetic exploration of climate and citizenship. Through powerful, high-contrast imagery, the photographer effectively communicates the liminal position of the people photographed, highlighting the persistent challenges faced by migrants in terms of physical displacement and uncertain futures.