Ron Mueck's 'Boy' grew from small model to huge sculpture in the space of nine months. Originally made for the Millennium Dome in London, it was transported in pieces to the 2001 Venice Biennale. The work began as a 38cm plaster maquette. Mueck gradually increased the scale, working with large polystyrene blocks sliced into horizontal sections. He brought the boy to life by evoking bones, muscles and limbs.

Ron Mueck's 'Boy' grew from small model to huge sculpture in the space of nine months. Originally made for the Millennium Dome in London, it was transported in pieces to the 2001 Venice Biennale. The work began as a 38cm plaster maquette. Mueck gradually increased the scale, working with large polystyrene blocks sliced into horizontal sections. He brought the boy to life by evoking bones, muscles and limbs.

Ron Mueck's 'Boy' grew from small model to huge sculpture in the space of nine months. Originally made for the Millennium Dome in London, it was transported in pieces to the 2001 Venice Biennale. The work began as a 38cm plaster maquette. Mueck gradually increased the scale, working with large polystyrene blocks sliced into horizontal sections. He brought the boy to life by evoking bones, muscles and limbs.

Ron Mueck's 'Boy' grew from small model to huge sculpture in the space of nine months. Originally made for the Millennium Dome in London, it was transported in pieces to the 2001 Venice Biennale. The work began as a 38cm plaster maquette. Mueck gradually increased the scale, working with large polystyrene blocks sliced into horizontal sections. He brought the boy to life by evoking bones, muscles and limbs. The eyes were cast in a football, and hair made with fishing line.

Ron Mueck's 'Boy' grew from small model to huge sculpture in the space of nine months. Originally made for the Millennium Dome in London, it was transported in pieces to the 2001 Venice Biennale. The work began as a 38cm plaster maquette. Mueck gradually increased the scale, working with large polystyrene blocks sliced into horizontal sections. He brought the boy to life by evoking bones, muscles and limbs.

Ron Mueck's 'Boy' grew from small model to huge sculpture in the space of nine months. Originally made for the Millennium Dome in London, it was transported in pieces to the 2001 Venice Biennale. The work began as a 38cm plaster maquette. Mueck gradually increased the scale, working with large polystyrene blocks sliced into horizontal sections. He brought the boy to life by evoking bones, muscles and limbs.

Ron Mueck's 'Boy' grew from small model to huge sculpture in the space of nine months. Originally made for the Millennium Dome in London, it was transported in pieces to the 2001 Venice Biennale. The work began as a 38cm plaster maquette. Mueck gradually increased the scale, working with large polystyrene blocks sliced into horizontal sections. He brought the boy to life by evoking bones, muscles and limbs.

A resin is used to paint inside each section of Ron Mueck's 'Boy' to give it a flesh tone. 'Boy' grew from small model to huge sculpture in the space of nine months. Originally made for the Millennium Dome in London, it was transported in pieces to the 2001 Venice Biennale. The work began as a 38cm plaster maquette. Mueck gradually increased the scale, working with large polystyrene blocks sliced into horizontal sections. He brought the boy to life by evoking bones, muscles and limbs.

Ron Mueck's 'Boy' grew from small model to huge sculpture in the space of nine months. Originally made for the Millennium Dome in London, it was transported in pieces to the 2001 Venice Biennale. The work began as a 38cm plaster maquette. Mueck gradually increased the scale, working with large polystyrene blocks sliced into horizontal sections. He brought the boy to life by evoking bones, muscles and limbs.

Ron Mueck's 'Boy' grew from small model to huge sculpture in the space of nine months. Originally made for the Millennium Dome in London, it was transported in pieces to the 2001 Venice Biennale. The work began as a 38cm plaster maquette. Mueck gradually increased the scale, working with large polystyrene blocks sliced into horizontal sections. The eyes were cast in a football, and hair made with fishing line. Mueck brought the boy to life by evoking bones, muscles and limbs.

At five meters high, Ron Mueck's 'Boy' is ready to travel. The crouching boy with a wary gaze grew from small model to huge sculpture in the space of nine months. Originally made for the Millennium Dome in London, it was transported in pieces to the 2001 Venice Biennale. The work began as a 38cm plaster maquette. Mueck gradually increased the scale, working with large polystyrene blocks sliced into horizontal sections. He brought the boy to life by evoking bones, muscles and limbs.

At five meters high, Ron Mueck's 'Boy' is ready to travel. The crouching boy with a wary gaze grew from small model to huge sculpture in the space of nine months. Originally made for the Millennium Dome in London, it was transported in pieces to the 2001 Venice Biennale. The work began as a 38cm plaster maquette. Mueck gradually increased the scale, working with large polystyrene blocks sliced into horizontal sections. He brought the boy to life by evoking bones, muscles and limbs.

Nature,1st prize