Student Matthew Pearce (16) waits for a train home from Bishops, a private school in Cape Town, watching black domestic workers cross a railway platform on their way back to their township. This image is part of Turnley’s project South Africans under Apartheid, which became a decisive documentation of South African life in a divided nation between 1985 and 1987. It was realized with the assistance of Detroit Free Press, Turner’s newspaper at the time, and Black Star agency, and photos were published in numerous magazines such as Life and National Geographic. In 1987, his residence and working permits were not extended and Turnley had to leave South Africa. In 1990, after Nelson Mandela’s release from prison, Turnley regained access to the country and could pursue his work in South Africa.

Scenes from South Africa: two white schoolgirls and their black nanny. This image is part of Turnley’s project South Africans under Apartheid, which became a decisive documentation of South African life in a divided nation between 1985 and 1987. It was realized with the assistance of Detroit Free Press, Turner’s newspaper at the time, and Black Star agency, and photos were published in numerous magazines such as Life and National Geographic. In 1987, his residence and working permits were not extended and Turnley had to leave South Africa. In 1990, after Nelson Mandela’s release from prison, Turnley regained access to the country and could pursue his work in South Africa.

A farmer's son in Orange Free State, South Africa, makes a phone call while his 14-year-old servant cleans the carpet. This image is part of Turnley’s project South Africans under Apartheid, which became a decisive documentation of South African life in a divided nation between 1985 and 1987. It was realized with the assistance of Detroit Free Press, Turner’s newspaper at the time, and Black Star agency, and photos were published in numerous magazines such as Life and National Geographic. In 1987, his residence and working permits were not extended and Turnley had to leave South Africa. In 1990, after Nelson Mandela’s release from prison, Turnley regained access to the country and could pursue his work in South Africa.

Military tank in one of South Africa's cities during the Apartheid regime. This image is part of Turnley’s project South Africans under Apartheid, which became a decisive documentation of South African life in a divided nation between 1985 and 1987. It was realized with the assistance of Detroit Free Press, Turner’s newspaper at the time, and Black Star agency, and photos were published in numerous magazines such as Life and National Geographic. In 1987, his residence and working permits were not extended and Turnley had to leave South Africa. In 1990, after Nelson Mandela’s release from prison, Turnley regained access to the country and could pursue his work in South Africa.

Singing women and children in South Africa. This image is part of Turnley’s project South Africans under Apartheid, which became a decisive documentation of South African life in a divided nation between 1985 and 1987. It was realized with the assistance of Detroit Free Press, Turner’s newspaper at the time, and Black Star agency, and photos were published in numerous magazines such as Life and National Geographic. In 1987, his residence and working permits were not extended and Turnley had to leave South Africa. In 1990, after Nelson Mandela’s release from prison, Turnley regained access to the country and could pursue his work in South Africa.

Scenes from South Africa: three white man with a gun on a motor. This image is part of Turnley’s project South Africans under Apartheid, which became a decisive documentation of South African life in a divided nation between 1985 and 1987. It was realized with the assistance of Detroit Free Press, Turner’s newspaper at the time, and Black Star agency, and photos were published in numerous magazines such as Life and National Geographic. In 1987, his residence and working permits were not extended and Turnley had to leave South Africa. In 1990, after Nelson Mandela’s release from prison, Turnley regained access to the country and could pursue his work in South Africa.

Scenes from South Africa: Black militants set fire to debris. This image is part of Turnley’s project South Africans under Apartheid, which became a decisive documentation of South African life in a divided nation between 1985 and 1987. It was realized with the assistance of Detroit Free Press, Turner’s newspaper at the time, and Black Star agency, and photos were published in numerous magazines such as Life and National Geographic. In 1987, his residence and working permits were not extended and Turnley had to leave South Africa. In 1990, after Nelson Mandela’s release from prison, Turnley regained access to the country and could pursue his work in South Africa.

A man suspected of being a police informant narrowly escapes being killed after a crowd put a gasoline-filled car tire around his neck during a political funeral in the Orange Free State. This method of revenge killing has become known as necklacing. He escaped when a clergyman intervened. This image is part of Turnley’s project South Africans under Apartheid, which became a decisive documentation of South African life in a divided nation between 1985 and 1987. It was realized with the assistance of Detroit Free Press, Turner’s newspaper at the time, and Black Star agency, and photos were published in numerous magazines such as Life and National Geographic. In 1987, his residence and working permits were not extended and Turnley had to leave South Africa. In 1990, after Nelson Mandela’s release from prison, Turnley regained access to the country and could pursue his work in South Africa.

Police use horsewhips to disperse protesters marching on Pollsmoor Prison, Cape Town, where Nelson Mandela was imprisoned. This was one of the events that precipitated the 1985 State of Emergency. This image is part of Turnley’s project South Africans under Apartheid, which became a decisive documentation of South African life in a divided nation between 1985 and 1987. It was realized with the assistance of Detroit Free Press, Turner’s newspaper at the time, and Black Star agency, and photos were published in numerous magazines such as Life and National Geographic. In 1987, his residence and working permits were not extended and Turnley had to leave South Africa. In 1990, after Nelson Mandela’s release from prison, Turnley regained access to the country and could pursue his work in South Africa.

Scenes from South Africa: At the funeral of Shadrack Mbonga (17), his aunt grieves about his death. This image is part of Turnley’s project South Africans under Apartheid, which became a decisive documentation of South African life in a divided nation between 1985 and 1987. It was realized with the assistance of Detroit Free Press, Turner’s newspaper at the time, and Black Star agency, and photos were published in numerous magazines such as Life and National Geographic. In 1987, his residence and working permits were not extended and Turnley had to leave South Africa. In 1990, after Nelson Mandela’s release from prison, Turnley regained access to the country and could pursue his work in South Africa.

Thousands gather at a funeral in Duncan Village, South Africa. Mass funerals are one of the few lawful forms of assembly for the black majority. This image is part of Turnley’s project South Africans under Apartheid, which became a decisive documentation of South African life in a divided nation between 1985 and 1987. It was realized with the assistance of Detroit Free Press, Turner’s newspaper at the time, and Black Star agency, and photos were published in numerous magazines such as Life and National Geographic. In 1987, his residence and working permits were not extended and Turnley had to leave South Africa. In 1990, after Nelson Mandela’s release from prison, Turnley regained access to the country and could pursue his work in South Africa.

Scenes from South Africa: Two women sit near a coffin. This image is part of Turnley’s project South Africans under Apartheid, which became a decisive documentation of South African life in a divided nation between 1985 and 1987. It was realized with the assistance of Detroit Free Press, Turner’s newspaper at the time, and Black Star agency, and photos were published in numerous magazines such as Life and National Geographic. In 1987, his residence and working permits were not extended and Turnley had to leave South Africa. In 1990, after Nelson Mandela’s release from prison, Turnley regained access to the country and could pursue his work in South Africa.

Scenes from South Africa: A woman crying at a funeral. This image is part of Turnley’s project South Africans under Apartheid, which became a decisive documentation of South African life in a divided nation between 1985 and 1987. It was realized with the assistance of Detroit Free Press, Turner’s newspaper at the time, and Black Star agency, and photos were published in numerous magazines such as Life and National Geographic. In 1987, his residence and working permits were not extended and Turnley had to leave South Africa. In 1990, after Nelson Mandela’s release from prison, Turnley regained access to the country and could pursue his work in South Africa.

Scenes from South Africa: a man and woman in their home. This image is part of Turnley’s project South Africans under Apartheid, which became a decisive documentation of South African life in a divided nation between 1985 and 1987. It was realized with the assistance of Detroit Free Press, Turner’s newspaper at the time, and Black Star agency, and photos were published in numerous magazines such as Life and National Geographic. In 1987, his residence and working permits were not extended and Turnley had to leave South Africa. In 1990, after Nelson Mandela’s release from prison, Turnley regained access to the country and could pursue his work in South Africa.

Oskar Barnack Award,Individual awards