The critical second at the most difficult hurdle, named 'Taxis's moat', in the Great Pardubice Steeplechase. Vaclav Jirsa made this photograph from a scaffold which was about 1,5m high and located behind all other photographers and perfect for a top view. He used a Leicaflex camera with a motordrive to make the sequence.

The critical second at the most difficult hurdle, named 'Taxis's moat', in the Great Pardubice Steeplechase. Vaclav Jirsa made this photograph from a scaffold which was about 1,5m high and located behind all other photographers and perfect for a top view. He used a Leicaflex camera with a motordrive to make the sequence.

The critical second at the most difficult hurdle, named 'Taxis's moat', in the Great Pardubice Steeplechase. Vaclav Jirsa made this photograph from a scaffold which was about 1,5m high and located behind all other photographers and perfect for a top view. He used a Leicaflex camera with a motordrive to make the sequence.

The critical second at the most difficult hurdle, named 'Taxis's moat', in the Great Pardubice Steeplechase. Vaclav Jirsa made this photograph from a scaffold which was about 1,5m high and located behind all other photographers and perfect for a top view. He used a Leicaflex camera with a motordrive to make the sequence.

The critical second at the most difficult hurdle, named 'Taxis's moat', in the Great Pardubice Steeplechase. Vaclav Jirsa made this photograph from a scaffold which was about 1,5m high and located behind all other photographers and perfect for a top view. He used a Leicaflex camera with a motordrive to make the sequence.

The critical second at the most difficult hurdle, named 'Taxis's moat', in the Great Pardubice Steeplechase. Vaclav Jirsa made this photograph from a scaffold which was about 1,5m high and located behind all other photographers and perfect for a top view. He used a Leicaflex camera with a motordrive to make the sequence.

Portraits,3rd prize