World Press Photo is pleased to present a series of workshops in partnership with Fujifilm at the Rencontres d’Arles photography festival in July 2026. The workshops will take place daily 7-11 July at the FUJIKINA space, where we will explore new forms of documentary photography and the evolving language of visual narratives; spanning topics such as personal storytelling, artistic documentary practices, community engagement, and the power of editing and multimedia.
The program reflects World Press Photo’s commitment to support emerging and established photographers, fostering inclusive, critical, and innovative storytelling practices. We invite you to join us for five afternoons of thoughtful conversation and hands-on learning.
Tuesday 7 July, 15.30 - 17.00
Strategies to prepare your projects for contests and grant applications
With Anita Huynh and Mariana Rettore, World Press Photo
This practical talk will provide valuable guidance on how to successfully prepare yourself and your projects to enter some of the world’s most prestigious photography competitions and grant applications, regardless of your current career stage.
Gain insights and advice on important steps before entering: what's important when editing work; how to write captions; understand the different needs of the platform. Anita and Mariana will draw on their knowledge of the contest, industry and medium to provide participants the tools to best prepare for contests, grants and publications.
Wednesday 8 July, 15.30 - 17.00
Photographing social and political realities
With Ebrahim Alipoor, documentary photographer
In this workshop, Ebrahim will share insights from his practice, exploring the challenges and responsibilities of photographing social and political subjects under restrictive conditions. Through examples from his work, he will discuss questions of access, trust, representation, and the ethical considerations involved in documenting sensitive stories. Participants will gain a deeper understanding of how photography can navigate barriers, create visibility, and engage audiences.
Thursday 9 July, 15.30 - 17.00
Photography as Reconstruction
With Diana Markosian, contemporary artist
In this workshop, photographer Diana will guide participants through the process of finding their unique photographic voice. Through a blend of theory and practical insight, she will share best practices for applying narrative structures to your work, helping you build more layered and emotionally resonant long-term projects. Drawing from her own experience, Diana explores personal history and identity as a foundation for storytelling. Her work often navigates themes of cultural and national identity, the relationship between people and their past, and the search for common ground within personal stories. This session is ideal for photographers looking to deepen the narrative quality of their projects and connect more meaningfully with their subject matter.
Friday 10 July, 15.30 - 17.00
From Fieldwork to Community Empowerment
With William Keo and Chantal Pinzi, documentary photographers
How can photography move beyond documentation to support and empower the communities it represents? Drawing on their World Press Photo-winning projects, William Keo and Chantal Pinzi will share how they approach visual storytelling as a process of engagement with communities. Through reflections on their fieldwork, they will explore the challenges of building relationships, navigating ethical questions, and creating work that is both journalistically rigorous and socially meaningful.
William will share the stories of marginalized people, descendants of immigrants from post-colonial France who are living in the Banlieues. Chantal will discuss her project, Farīsāt: Gunpowder’s Daughters, which questions gender, cultural heritage, and belonging, revealing how women are reshaping traditions and challenges established narratives.
Saturday 11 July, 15.30 - 17.00
Editing with Purpose: How to build meaningful and efficient visual narratives
With Arianna Rinaldo, editor and curator
This workshop offers a space for reflection and dialogue on the process of editing photographs to create compelling visual narratives with a purpose. Transforming a group of images into a cohesive photo essay that communicates both content and intent is a major challenge. Editing involves more than choosing strong photos: it’s about sequencing, rhythm, coherence, atmosphere, and crafting a visual language that speaks beyond aesthetics and adapts to different platforms of diffusion. The workshop will combine theory and practical editing exercises.
Daily workshops at 15:30 from Tuesday 7 July to Saturday 11 July 2026.
Reserve your workshop here
How to book: click on pass premium, select the day and the workshop you wish to join